Editing
A cut that holds
Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing works
Video & Photo Studio
An edit that serves the story, not itself.
At OLEG CERNOV, post-production is one person with a clear brief and a deadline that holds. Edit, grade, finish — delivered in writing.
One editor
Your footage stays yours. Always.
On-time habit
You talk directly to the person doing the work.
No middlemen
We would rather say "two weeks" and land in ten.
Written brief
One email thread from first brief to final files.
01 — Services
Three services, one standard of care
No hidden fees and no mystery dates. Each service starts with a written brief and a fixed quote you can plan around.
Color
Grading with intent
A look that belongs to your film, not a preset menu. We match scenes, build a palette, and finish in the formats your platform actually accepts.
How color works
Retouching
Finishing touch
Portraits, products and editorial work, cleaned and balanced without that plastic look. Skin stays skin, texture stays texture, and the client stays happy.
How retouching works
02 — Recent work
Recent finishes worth a look
03 — The studio
Every project, one pair of hands.
OLEG CERNOV is a one-person post house, run by OLEG CERNOV out of Chișinău, Moldova, working with clients in fourteen countries. Small by choice — because a single careful editor, reachable by email, is usually better than a production line.
The studio stays small on purpose: a short roster, a written brief, and a fixed date on every project. Nothing drifts.
- Written brief and scope before any work starts
- Secure file delivery and confidentiality by default
- Feedback in clear notes, not vague adjectives
190+Projects
17Countries
50Repeat clients
3 yrsIn post
04 — How it works
How a project actually runs
Scope
We write down what we will and won't do, confirm the footage list, and lock the deadline before any work starts.
Review
You comment in plain notes; we turn each note into an edit, not an argument.
Review
Your notes in plain sentences, each answered with an action.
Brief
You send links or files, the deadline and the goal. We reply with the two or three questions that actually change the quote.
05 — Journal
Notes between projects
Restraint is what makes a cut read as cinematic
The word that separates cinematic editing from flashy editing is restraint, not effects.
Read the piece
Five mistakes that make a grade look like a filter
Over-saturation, mismatched skintones and the habits that give amateur color away.
Read the piece
Sharpening for print versus sharpening for screen
The different amounts a portrait needs depending on where it will actually live.
Read the piece
06 — Client words
Notes clients left behind
“
The portraits kept the texture and lost the distractions. Our clients noticed the difference immediately.
Ioana PopaAgency director, Timișoara
“
They understood that less is more on our brand film and delivered exactly that.
Pavel SokolovFounder, Orhei
Quotes reflect individual client experiences. Results vary by project and are not a guarantee of any outcome.
Footage sitting on a drive, unfinished?
Send a brief and a deadline. You'll get a fixed quote back within one working day.