
Restraint is what makes a cut read as cinematic
The word that separates cinematic editing from flashy editing is restraint, not effects.
Read the pieceWriting about the craft of post-production — short, practical, and aimed at people who actually edit.

The word that separates cinematic editing from flashy editing is restraint, not effects.
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Over-saturation, mismatched skintones and the habits that give amateur color away.
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The different amounts a portrait needs depending on where it will actually live.
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